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Arriving at “Asia”
One of my early, naïve propositions – or suppositions, rather – when I mooted the idea of an Asian Dramaturgs’ Network, was that I was inter
LIM How Ngean
The Socio-Cultural Mediator
The intercultural dramaturg has to take on the role of a cultural mediator when working with multicultural artists. When culturally-steeped
LIM How Ngean
Musings of an Intercultural Dramaturg
The question still arises as to how a Malaysian-Chinese dramaturg – albeit familiar with intercultural works – would be proficient in dramat
LIM How Ngean
What the Dramaturg Is, and Is Not
Even more disturbing is to engage a dramaturg to enhance the art work’s chances of being successful in touring abroad because ‘the dramaturg
LIM How Ngean
Continuities and Connections
While talking, discussing, discoursing and thinking constitute a substantial part of piecing together the ‘dramaturgy puzzle,’ it was time f
LIM How Ngean
Upon Reflection
I realised that part of my isolation at that time had made me want to seek out a community, a community of dramaturgs who are actually livin
LIM How Ngean
Immunization Rehearsals
At least one good thing about the deadly virus is that it has taught me to ask a fundamental question, to go back to the basics in life and
M.J. Chung
Theatre for Phono-Sapiens?
From the talk series on ‘Post-Corona Age – Novo Sapiens’ presented by CHUNG Kwanyong on CBS, I found some interesting keywords for our time:
M.J. Chung
How to Keep the Theatre Ecosystem?
What we should look for must not be CPR steps to save the dying conventional theatre. We need to find out about the possibility of giving bi
M.J. Chung
At War with the Virus
Seventy years ago, in June of 1950, the NTCK was closed due to the Korean War, just two months after its grand inaugural production. The clo
M.J. Chung